The debut album ‘MESTIZX’ by Ibelisse Guardia Ferragutti and Frank Rosaly for Chicago’s influential International Anthem label and in collaboration with Nonesuch Records is an astonishingly potent record that touches on ancestral histories, post-colonial resistance and rage, ancient spells and so much more. Avant-Jazz, Post-Rock, Afro-Latin rhythms and a myriad of influences and inspirations colour this brilliant record. One of the best releases of the year. Read / Listen.
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Maddalena Ghezzi & Ruth Goller 'Dolomite' EP (DēngYuè Records) - a review
The rare talents of Maddalena Ghezzi and Ruth Goller come together for the fifth in Maddalena’s ‘Minerals’ series of releases - a remarkable multilingual odyssey about the journey of water through the Tyrolean mountain range. Reflecting on grief, climate change and shared personal histories, this is improvisational music at its most beautiful. Strange, magical and earthy, ‘Dolomite’ deserves your immersion. Read / Listen.
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Transmission Towers (É Soul Cultura) - an interview
The debut release on Luke Una’s brand new label É Soul Cultura is a quite brilliant album of electronic soul from the Liverpool based duo Transmission Towers. Interstellar atmospherics, deep emotions and bass-charged grooves are allied with post-punk invention and hooks that will attach themselves to the listener for days. On the day of the release of ‘Transmission One’, we asked production wizard Mark Kyriacou and vocalist Eleanor Anorbea Mante a few questions. Read / Listen.
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Damos Room 'Commencement // Mineral Blend' (Nudibranch) - a review
Weird broken dub for a weird broken world, Damos Room’s new E.P. on Nudibranch is both funny and dark. Eccentric in a very British way, its paranoid rambles and subsonic trembling will shake your speakers and ruin your picnic. With guest remixers such as LA’s hip hop brutalist Gonjasufi along for the ride, be ready. Read / Listen.
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Son Of Philip 'Plastic Borough' (Running Circle Records) - a review
Son Of Philip’s stunning new seven track E.P. for Running Circle Records is awash with electronic textures and synthetic loops without losing the feeling of human creation. ‘Plastic Borough’s post-club ambience and widescreen ‘Blade Runner’ edges also sees the talented Nottingham born musician, DJ and producer Tom Smith, collaborate with Swedish singer Ylva Grönlund, offering a darkly poetic noir to his beatless stories. Read / Listen.
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Arnau Obiols & KAYYAK 'Faith / San Diago EP' (Compost Records) - a review
The electronic music producers Arnau Obiols & KAYYAK have a new release on the mighty German label Compost Records and their inspired ability to blend West African inspirations, disco and psychedelia into loose dancefloor anthems continues. With outstanding remixes from Medlar & Dele Sosimi, Prins Thomas and Chicago’s Rahaan also in the package, this is seriously good party business. Read / Listen.
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Janek van Laak 'Circle of Madness' (Sonar Kollektiv) - a review
Wildly talented, the Berlin based drummer and composer, Janek van Laak, has a fascinating new album out today on Sonar Kollektiv that straddles a multitude of genres. The spirit of punk and the theatrics of cabaret in his DNA (literally), Janek has pulled in friends and players, collaboration the key to helping him express the many creative roads his mind is travelling on. Touches of future-funk, jazz in all its finery, Afro-Latin rhythms, psychedelia, soundtracks, post-punk edges. It’s all there, and more. Read / Listen
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NaraBara 'Dab Hi' (Nomad City Records) - a review
NaraBara are a razor sharp quartet of Mongolian musicians who have somehow successfully and skillfully stirred ancient melodies and Tuvan throat singing into their globally inspired take on jazz-funk. West African sounding guitars, killer drums and impressive synth work are combined with the haunting sound of the ‘tovshuur’ lute and produced into a taut, imaginative and very contemporary sound. Read / Listen
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Fumio Itabashi 'Watarase' (WEWANTSOUNDS) - a review
There have been reissues before but this newly remastered version of Fumio Itabashi’s 1981 solo piano masterpiece “Watarase” on WEWANTSOUNDS really hits the spot. The title is a spiritually charged classic but the rest of the album’s mix of standards and original compositions are much more than filler. Itabashi’s inventive and unique playing style and emotional openness make this an absolute jewel in the jazz canon. Read / Listen
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Champagne Dub 'Rainbow' (On The Corner Records) - a review
The artwork on this debut album by Champagne Dub seems an appropriately disconcerting image for the kind of ‘dub’ contained. Apocalyptic at times, raw, improvised and very leftfield, the misfit band pulled together by Maxwell Hallett aka Betamax (Soccer96, The Comet Is Coming etc) have delivered a heavyweight dub patchwork that is brimming with post-punk energy and wild cosmic agitation. Ruth Goller, Clive Bell, Ed Briggs (laser bagpipes) and the masked Peruvian performance artist and vocalist, Mr Noodles, have brought flammables to the party. Read / Listen
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Merengue Típico 'Nueva Generación!' (Bongo Joe Records) - a review
There can’t be many (or any) European compilations that take a deep dive into the Dominican Republic’s musical heritage but thankfully, Belgian vinyl digger Xavier Daive has spent many years in DR searching through long forgotten record shelves and boxes to bring us this fine collection of the second wave of merengue típico released a few days ago on the excellent Bongo Joe Records. Fast and frenetic party music propelled by hyperspeed accordion and fizzing guiras, “Merengue Típico 'Nueva Generación!” is a superb overview of this wildly popular Latin Caribbean genre. We asked our friend and DR native Mauro Ferreiro for his thoughts. Read / Listen
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Brion Gysin 'Junk' (WEWANTSOUNDS) - a review
Initially released in 1985 and only one year away from his passing, this expanded and remastered version of Beat guru, inventor and pioneering multi-disciplinary artist Brion Gysin’s ‘Junk’ finally sees a vinyl reissue after 40 years. Produced by the ace French producer Ramuntcho Matta and featuring the cream of the French underground at the time, plus jazz-experimentalist Don Cherry and Senegalese drum legend Abdoulaye Prosper Niang, the record is both deadly No Wave-y funky and definitely a bit strange. The song ‘Kick (Discomix)’ is worth the price of admission alone. Read / Listen.
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Dina Ögon 'Orion' (Playground Music) - a review
The Swedish quartet Dina Ögon seemed to appear from nowhere a few years ago with two perfectly realised albums that merged their wide influences into some kind of perfect ‘pop’ hybrid. Not chart fodder pop but the old-fashioned kind that harnesses extraordinary songwriting with amazing individual performances that deserve to crossover everywhere. Anna Ahnlund’s voice alone demands that you listen, instantly recognisable as something very special. Sung in Swedish, their perfectly constructed songs contain traces of Brazilian and West Coast soul music, Scandinavian folk, deep funk, and other influences that combine to create their wondrous sound. The new album ‘Orion’ takes another step forward without losing a drop of their magic serum. Read / Listen.
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MORRR 'Marrow Weavers' (MFZ Records) - a review
The Italian musician MORRR aka Dario Gatto released his EP ‘Marrow Weavers’ on MFZ Records back in July but its aching post-rock beauty stands up better in the cold months of winter in our opinion. Songs of grief and heartbreak shrouded in beautiful melodies and FX heavy drones make this a strangely comforting record. Read / Listen.
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Nino Gvilia - video interview
As we prepare to premiere (this Thursday!) the first song from her forthcoming double E.P. release on Brighton’s excellent Hive Mind Records, we are happy to present a short video interview with the enigmatic Georgian singer-songwriter Nino Gvilia.
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Cover art & design - Fiona Ryan)
Assiko Golden Band De Yoff 'Magg Tekki' (Sing a Song Fighter / Mississippi Records) - a review
If drums are your thing then this sensational debut album from the Senegalese band Assiko Golden Band De Yoff will blow your head off. The massed ranks of the Dakar-based outfit teamed up with Swedish producer and Sing a Song Fighter label boss Karl Jonas Winqvist after meeting in 2018, somehow pulling this record together via recordings in Senegal and Sweden. With the subtle addition of sax, accordion and kora, some of these potent songs signpost the Senegalese connections to Brazil’s bloco de rua traditions, others offer a link to the Caribbean but the source is always Senegal. In alliance with Mississippi Records, we now have this brilliant album to listen to and own and I can’t recommend it enough. If you know about Babatunde Olatunji’s ‘Drums Of Passion’, then you know I’m making a big call saying this offers that same energy. Read / Listen.
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TONN3RR3 X BIKAYE 'It's a Bomb' (Born Bad Records) - a review
It’s been forty years since the great Congolese innovator Bony Bikaye released his collaborative cult masterpiece ‘Noir et Blanc’ on Crammed Discs, an album that merged his wildly unconventional vocals with the edgiest of electronic textures. Now, after decades outside of the industry, he has returned with the Parisian production trio TONN3RR3, once again in search of the musical spaces in between. His voice is stronger and more unhinged than ever, the post-club dynamism of TONN3RR3 a perfect foil for his singular sound. Read / Listen.
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Harper Trio 'Passing By' (Little Yellow Man Records) - a review
For decades, the harp was a rare flower dotted meagerly amongst the accepted solo instruments that were afforded respect in the world of jazz. Outstanding harpists such as Alice Coltrane and Dorothy Ashby needed new generations to recognise their genius and worth but now, on the shoulders of these giants, we live in a golden era of jazz-harpists and Greek born Maria-Christina Harper will surely find herself in the frontline with her debut album. Harper Trio’s exploratory merging of Mediterranean folkloric influences and bluesy expression alongside touches of the contemporary avant-garde offers a new way of viewing the instrument and how it can be played. Alongside the brilliant Josephine Davies on saxophone and Evan Jenkins on drums, she has created an outstanding album that vibrates with its own distinct personality. Read / Listen.
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The Belgian Soundtrack: A Musical Connection of Belgium with Cinema (1961-1979) (Sdban Ultra)
If you’re a fan of film soundtracks, sample-hunting or just a lover of evocative music, then this new compilation from the excellent Belgian label Sdban Records is for you. After the discovery of 650 soundtrack LPs in the attic of a former film journalist, the soundtrack addicts and researchers Robin Broos and Tom ‘Pélé’ Peeters waded through the entirety of the haul to bring us this brilliant collection of music that has in various ways, a Belgian connection. There are barely known composers and there are the super-famous, all of them are great. Read / Listen.
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A08 'Waiting For Zion' (Compost Records) - a review
Formerly known as Africaine 808, the German duo Dirk Leyers and DJ Nomad (AKA Hans Raabe) return under the name A08. Their name may have changed but their ability to weave the polyrhythms and melodic traits of many cultures into their club-ready productions hasn’t changed. With star guests from Colombia, Ghana, Kenya, Trinidad and Germany along for the ride, ‘Waiting For Zion’ has Grime X West Africa collisions, jazzy bruk sounds, Caribbean electronica and a host of hard-to-define tracks that work just as well at home as on the dancefloor. Big recommendation. Read / Listen.
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