The Swedish quartet Dina Ögon seemed to appear from nowhere a few years ago with two perfectly realised albums that merged their wide influences into some kind of perfect ‘pop’ hybrid. Not chart fodder pop but the old-fashioned kind that harnesses extraordinary songwriting with amazing individual performances that deserve to crossover everywhere. Anna Ahnlund’s voice alone demands that you listen, instantly recognisable as something very special. Sung in Swedish, their perfectly constructed songs contain traces of Brazilian and West Coast soul music, Scandinavian folk, deep funk, and other influences that combine to create their wondrous sound. The new album ‘Orion’ takes another step forward without losing a drop of their magic serum. Read / Listen.