The Swiss trio Ali Dada have carved themselves an album of languid cinematic tracks out of late night jam sessions and a few guiding rules: vibes and 'mistakes' as important as intent. Nineties trip hop sounds have been reappearing quite a lot recently and this immersive album of dope beats, psychedelic guitars and atmospheric textures certainly resides in this smoky territory. Read / Listen.
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Daniel Ögren 'Fastingen-92' (Mr Bongo) - a review
Originally released in 2020 on Sing A Song Fighter, Daniel Ögren’s brilliantly uncategorisable 'Fastingen-92' LP is being lovingly repressed by Brighton’s Mr Bongo (sing hossana!). A founding member of cosmic soul outfit Dina Ögon and a contributor to Sven Wunder’s musical universe, Daniel is a prime example of Sweden’s new golden age of musicians, producers and labels. Hugely ambitious in scope, he slides easily from cinematic orchestral grooves into Balearic dreamscapes via pan-global dancing oddities without ever being too difficult to understand. In an alternative dimension, this would be topping the mainstream charts. Read / Listen.
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Seljuk Rustum 'Cardboard Castles' (Hive Mind) - a review
Indian musician and multidisciplinary artist Seljuk Rustum has an astonishing album coming out in Feb on the brilliant Brighton label Hive Mind Records. Playful, surprising and joyful, alongside his fellow first take collaborators and musical freedom travellers, he explores some very strange tales. Traditional sounding Indian techniques are abstracted and repainted with sweet electronics colliding with Indian strings, guitars and synthesisers, field recordings and more. It’s brilliant. Read / Listen.
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Sababa 5 'Sababa 5' (Batov Records) - a review
Late last year, Tel Aviv based outfit Sababa 5 released their debut album for Batov Records and it is instrumental funk of the highest order. Touching on the melodic and rhythmic traditions from across the SWANA (South West Asia and North Africa) region, we can hear the reflections of East Africa segueing into Turkish and Afro-Disco vamps, their influences never cloaking their own melodic and rhythmic talents . Fans of Daptone Records and Khruangbin should be all over this! Read / Listen.
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Silvan Strauss 'Facing' (Kabul Fire) - a review
Hamburg-based drummer and composer Silvan Strauss has created a debut album of ten short but dazzling micro-instrumentals. With fifteen collaborators in total, his creations veer between Madlib style jazz cut-ups to filmic beatscapes that showcase his brilliant drumming chops, never taking the focus away from the audience. “I wanted to make it so that people love to listen to it. It’s a little wonky, sure a few imperfections but fuck it, it’s fun and alive!”. Read / Listen
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Rumpistol 'ISOLA' (Raske Plader) - a review
Award-winning Danish pianist, composer and electronic musician Rumpistol (aka Jens B. Christiansen) has created a beautifully immersive album that sits somewhere between neo-classical composition, slow-burning jazz and pastoral whimsy, and should tickle the heartstrings of fans of Max Richter, Nils Frahm and Ryuichi Sakamoto. Read / Listen
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Alawari 'Alawari' (April Records) - a review
Alawari are a young 7 piece jazz collective from Denmark and this, their debut album, is a truly stunning musical document that seems to manage to capture the troubled times that we are living through. A brilliant mix of lush classical arrangements with levels of uninhibited free jazz expression, the record is “Inspired by the spirit of revolution and ancient war” and it sounds like it. Exceptional. Read / Listen here
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Jan Van 'Streams' (Teranga Beat) - a review
‘Streams’ is an excellent album of cinematic noir created live by rhythmic maestro Jan Van aka Yannis Angelolopoulos and the cream of Athens’ jazz and improvisational musicians. Funky, spacious and reflective, their unique fusion of contemporary improv jazz and laïkodimotiko (local, popular music) is a fine blend indeed. Read / Listen here
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Credit - Nicola Schmid
Howald 'Amnis Alsace' (BlauBlau Records) - a review
A touching and poetic soundtrack to a filmic diary that was made in response to the music from Swiss multi-instrumentalist Dimitri Howald. Touching on Afro-Brazilian, jazz, post-rock and 80s New Wave flavours. Read / Listen / Watch the film here
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